Post by amirmukaddas on Mar 16, 2024 19:36:54 GMT 14
The answer to this question is actually a bit linked to the previous one, but specifically in my opinion there are some aspects of marketing that are underestimated and how much the latter can do for cinema. With an example my discussion could become more linear. When the director chooses the leading actor he does so thinking about how perfect he is for the role. What if the protagonist was also a social media star? I don't mean just with the selfies of a fake shared life, in reality played by marketing agencies - who among other things sign themselves under the profiles - but with the sharing of them working on the set, without obviously showing anything too important .
You could create a sales funnel for every single film that needs to be launched. Give small previews to the public, who will probably go to see the film due to the name of the director and that of the protagonists. I myself choose films - as well as for the story - based on the actors and directors, very rarely I am seduced by the trailers. I know Denmark Telegram Number Data the trailers lie. If we began to understand that a film can be sponsored exactly like television series, Italian cinema could stop thinking that the budget only comes from regional and private funding. Yes, TV and cinema are two different worlds, and in the first case there is much more control – apparently – over what is broadcast.
In fact, what should be taken into consideration is a marketing strategy that promotes the film starting from the director. Then involving the actors, who more and more, among other things, are approaching the social world with curiosity, even if in a very crude way. Let's think about social media marketing for cinema, for example that is a specialization that should be cultivated, helping actors and directors to communicate better. I could talk for hours about all this, but I'll let anyone who wants to delve deeper into this discussion with me, perhaps by comparing ourselves, do so by contacting me privately.
You could create a sales funnel for every single film that needs to be launched. Give small previews to the public, who will probably go to see the film due to the name of the director and that of the protagonists. I myself choose films - as well as for the story - based on the actors and directors, very rarely I am seduced by the trailers. I know Denmark Telegram Number Data the trailers lie. If we began to understand that a film can be sponsored exactly like television series, Italian cinema could stop thinking that the budget only comes from regional and private funding. Yes, TV and cinema are two different worlds, and in the first case there is much more control – apparently – over what is broadcast.
In fact, what should be taken into consideration is a marketing strategy that promotes the film starting from the director. Then involving the actors, who more and more, among other things, are approaching the social world with curiosity, even if in a very crude way. Let's think about social media marketing for cinema, for example that is a specialization that should be cultivated, helping actors and directors to communicate better. I could talk for hours about all this, but I'll let anyone who wants to delve deeper into this discussion with me, perhaps by comparing ourselves, do so by contacting me privately.